Writer. Theatremaker. Coach. Consultant.

[ Creative Portfolio ]

Creative Portfolio

My body of work

The cover of Shield by Jamie Hale, a white book with coloured stripes, and a surgical mask in front of the coloured stripes.
Shield – Verve Poetry Press 2021

[ POETRY ]

POETRY

Published in Magma, Zoeglossia and more. Performed at Barbican Centre, Glastonbury, HOME Manchester and other venues. Jerwood Poetry Fellowship 2020/2021, founder of the Disabled Poets’ Prize

These are arresting, heart-stopping poems lit with a rare intensity. Hale’s poems don’t pull any punches, they explore what it is to live in a body and on the way touch the centre of the fragility deep inside all of us. Humane poems that will make you ache

-Mona Arshi

Jamie is a poet, and a glorious poet, and I mean that he is literally a poet but he is also a poet in how he sees the world, and this is a beautiful, I think, piece, about how we look at death and how we look after each other and I really hope people enjoy it.

-Jack Thorne


[ DIRECTING ]

Directing: TRANSPOSE – SUBVERSE

From CRIPtic Arts’ showcases to Transpose’s Subverse at the Barbican Centre I am a keen director focused on new writing and multidisciplinary work.

Subverse featured a line-up of trans artists with powerful, genre-defying performances that blend music, text, poetry and sonic installations to explore trans experience, identity and liberation.

I was awarded an OFFIE for staging for my work on Transpose: Subverse.

SUBVERSE is not comfortable – but my god, this type of work is necessary. To really understand what our siblings are facing, you must lose yourself in the singularity. Let sound, silhouette, and vibration dissolve assumptions and societal constructions. Few mediums can achieve that. In the dim light of the Pit, the work becomes a kind of séance – summoning pain, beauty, terror, and possibility. An extraordinary piece.

– Vincent Jaskowski-Prowse – Attitude (Transpose: SUBVERSE 2025)

ILĀ and Coda Nicolaeff sit on the floor, leaning and reaching forward with both arms outstretched. They lean into each other, both wearing black.
ILĀ and Coda Nicolaeff in Transpose – Sophia Stefelle Photography
Peyvand Sadeghian and Anna Kitson in The Acts – Shona Louise Photography

Directing: CRIPtic Arts – The Acts

The Acts is an annual showcase of work by some of the UK’s most exciting theatremakers. Directed by myself and produced by CRIPtic Arts, it features a selection of four daring pieces, each showcased both as an exceptional work of its own, and as part of a wider cohort of disabled theatremakers.

Within it, I work on development and dramaturgy with the selected writers and performers, after which their work is staged at a major venue, previous including the Barbican Centre (pictured), HOME Manchester, Bristol Old Vic and Tobacco Factory Theatres (Bristol).

This work reflects my passion for new work, emerging writers, and development of opportunities and careers.

The importance of putting the power to represent disability and to self-define in the hands of those who know cannot be underestimated. This showcase is an excitingly creative, vital means of making that true.

– Mary Pollard – Everything Theatre (The Acts 2024)


[ PERFORMANCE ]

PERFORMANCE & WrITING: FRANKENSTEIN

Frankenstein explored the divide in each of us between the doctor and monster. An opera for song (CN Lester) and speech (myself), Frankenstein easily retells the well-known story while asking what it means to be monstrous and who gets to decide which bodies are monstrous.

As well as performing in it, I wrote the libretto, alongside CN Lester, who composed and sang it.

This was first performed at Transpose at the Barbican Centre in Autumn 2025.

A remarkable, fascinating interpretation of the work

-Scott Matthewson – The Reviews Hub (Frankenstein)

CN Lester and Jamie Hale in Frankenstein – Sophia Stefelle Photography
Jamie Hale, a white electric wheelchair user lies on a white surface, sat up. They are wearing a hospital gown and have wings outstretched to either side of their shoulders, also in hospital gown material!
Jamie Hale in Quality of Life is Not a Measurable Outcome – Shona Louise Photography

[ PERFORMANCE ]

Performance & WRITING: QUALITY OF LIFE IS NOT A MEASURABLE OUTCOME

Fantastic

– Hannah Gadsby on QUALITY OF LIFE IS NOT A MEASURABLE OUTCOME

My solo show, Quality of Life is Not a Measurable Outcome has been performed on stages including Lyric Hammersmith, Barbican Centre, HOME Manchester, Watford Palace Theatre, Glastonbury, and more. I was awarded Director/Theatremaker of the Year by the Evening Standard Future Theatre Fund for my development of this show.

Quality of Life asks what it means to survive when near death – and then come into interaction with the systems that govern and define the lives of disabled people, and how you survive and flourish within a system intent on squashing and killing you.

Unashamedly loud and proud, Hale comes alive – and is indeed at his best – when he’s making comedy […] he takes command of the stage […] He’s clearly on the ascendant with last years’ Spread the Word award under his belt. He comes across as confident and full of potential as a writer and performer.

-Colin Hambrook – Disability Arts Online on Quality of Life is Not a Measurable Outcome

[ Recognition ]

Winner: OFFIE Award for Staging

Transpose – 2026

Shortlisted: Sky Arts Awards for Theatre

BODY OF WORK- 2026

Writers’ Room for BAFTA-nominated KAOS

KAOS- 2025

Longlisted: Genesis Future Directors

DIRECTING- 2023

Awarded: Shaw Trust Disability Power 100

PERSONAL PROFILE – 2022-2024

Jerwood Poetry Fellowship

POETRY – 2021

Winner: Evening Standard Future Theatre Fund – Director / Theatremaker of the Year

QUALITY OF LIFE IS NOT A MEASURABLE OUTCOME- 2021


[ POETRY]

  • Founder and Judge, Disabled Poets’ Prize 2022-2024
  • Guest Editor, Modern Poetry in Translation
  • Shield (pamphlet), published by Verve Poetry Press
  • Bird Song, Zoeglossia
  • Fibrotic, UCL/Yale Poetry Prize
  • Furias Para Danzar, Magma
  • Faggot, Rialto
  • Arthurian Myth, Bedtime Stories for the End of the World
  • Lewisham / Harrow (with Daljit Nagra), Royal College of Literature

[ READINGS]

  • Newcastle Poetry Festival
  • Arvon Foundation
  • University of Birmingham
  • Oxford House
  • University of Sheffield
  • UCL

[ Theatre ]

Writing

  • KAOS (writers’ room), Netflix, 2019-2021
  • I Want to Live, Theatre Royal Stratford East 2022
  • Quality of Life is Not a Measurable Outcome, HOME Manchester, Barbican Centre etc 2021-2025
  • Frankenstein, Transpose, Barbican Centre, 2025

Directing

  • Romeo and Juliet, Barbican Centre, 2027
  • The Acts, 2027, Tobacco Factory Theatres, Bristol
  • Romeo and Juliet R&D, various locations
  • The Acts, 2026, Old Vic, Bristol
  • Transpose 2025, Pit Party, Barbican Centre, London
  • Telepresence Residency 2024 with University of Brighton
  • The Acts, 2024, Barbican Centre, London
  • Self & Other, 2023, HOME, Manchester
  • The Crip Monologues, 2023, Camden People’s Theatre, London (curator)
  • The Crip Monologues, 2023, Bloomsbury Theatre, London
  • CRIPtic Pit Party, 2021, Barbican Centre, London
  • PostHuman, Rachel Gadsden, film and performance, UCL, London

PERFORMANCE

  • Frankenstein, Pit Party, Barbican Centre, London, 2025 (performer and librettist)
  • Quality of Life is Not a Measurable Outcome (formerly “NOT DYING”) (writer and performer) – Jesus College, Oxford 2026; Glastonbury 2025; Watford Palace Theatre, Watford, 2024; Roundhouse, London, 2024; HOME Manchester 2022, Barbican, London, 2019; Lyric Hammersmith, London, 2019
  • Crip Monologues, Camden People’s Theatre, 2022
  • Welfare Counting, Live Art Development Agency 2021
  • Transpose, Barbican Centre, 2016 & 2017

COMMISSIONS

  • I Want to Live, Theatre Royal Stratford East
  • Emerging Directors’ Guide, Unlimited
  • At Least I Remembered Your Name, CRIPtic Arts